When it comes to long-running TV shows, there are a lot of jokes, stereotypes and assumptions when it comes to how things progress. The first season tends to be full of promise although a tad undercooked. The second season suddenly expands in weird directions in an effort to make the characters more substantial. And so on.The third season can be rather hit or miss for people. For example, Lost got so much better in its third season after nearly killing itself in the second season. For Star Trek: The Next Generation, many felt the show truly found itself by the time its third season came around. To some extent, perhaps the same can be said about this series as well.
The opinions for this show were terribly mixed. Some felt the show was a really bad concept and it was floundering around for its first two seasons. Others found the concept of being so far away from the comforts of the Federation rather exciting and new and thus felt it was more fulfilling. I think it really depends on what got you into the show in the first place to make a better assessment of things.
In line with Banned Books Week 2010, I thought it might be good to think more about the spirit of the event. After all, Banned Books Week is a celebration of our freedom to read and our right to retain access to any and all books we may so desire.
In line with this year's
I have already addressed the challenges of the video game to movie market and the usual stigma that comes with such projects. Video game movies are a horribly mixed bag in terms of how the end product looks but tend to skew towards the really bad part of the quality spectrum in terms of how they are received. It's a weird unspoken rule of Hollywood it seems - like we're perpetually damned to suffer through really, really bad adaptations of video games. Like really, really, REALLY bad ones.
In the past, 

It's hard to pinpoint precisely what made the 80's such a memorable period of time. I was pretty young at the time and naturally a lot of my memories centered around the classic cartoons of the time and of course the Transformers. But even as I grew up, there are all those other echoes of the 80's that we've all picked up and look at with fond amusement such as Sony Walkmans, huge shoulder pads and aerosol hairspray.
Hairspray really did something for the musical theater industry when you think about it. It started as a campy 80's movie that had rather moderate success during its initial run. Then it became a hit Broadway musical in 2002 and pretty much turns things on its head. Come 2007, a movie based on the musical was released, thus having things come full circle in a manner of speaking.


My recent adventures into the world of StarCraft novels has been rather mixed. I love the first book and felt insulted by the second one. But I was committed to completing my reading of the StarCraft Anthology no matter what and so I kept moving forward.
There are days when my brain just needs a rest and I end up watching some pretty silly things. It seems that I've been in that kind of a mood for a while now and I've been sticking to very, very simple things to keep myself occupied. Good examples would be me watching episodes of Ru Paul's Drag U and catching the local staging of Xanadu over the weekend.
I'm generally a fan of foreign films - call that the gay movie snob in me or something. And I know, we shouldn't lump all non-US movies together as foreign since they're strong films in their own right covering a lot of different traditional movie genres.
In the continuing Star 
If something works, then don't break it right? That's sort of the Hollywood philosophy these days that drives sequels upon sequels along with remakes and reimaginations, more or less. And it makes me sick to my stomach to consider the fact that this remake trend and general death of continuing creativity isn't going to end very soon.
When 
In the late 80's, it suddenly became a brilliant idea to create feature-length movies based on popular animated cartoons of the time. Thus we got memorable classics like Transformers: The Movie and stranger additions to movie history such as My Little Pony: The Movie. The mixed box office success resulted in this becoming a direct-to-video release as opposed to a theatrical one, but it still has its place in 80's culture.
More and more, I find myself admiring British television for taking bolder steps in terms of promoting science fiction and fantasy. While US network television is often quick to pull the plug on budding science fiction shows that fail to demonstrate record-breaking viewers right out of the gate, it seems over in the UK, they're getting more and more shows and
The true Transformer lover knows that were owe a lot to a Japanese toy company called Takara. Established in 1955, the company has been making novel toys over the years while keeping their company motto in mind - "Playing is culture." Sure, they weren't originally Transformers when they first came out - we have the US toy company Hasbro to thank for that.
There's a very large universe of comic books that I have yet to have the chance to read.
In the CGI movie market, the big guns remain to be Pixar and
I'm not sure how this particular 


